A lot has happened since I last wrote something here as I tend to use Instagram for short stories from the workshop these days. I had to impale my thumb on a sharp blade to actually take the time out and write something for this blog. I hope to do that more often (writing, not impaling!).
I mentioned this kanna on Instagram before; it was made by 3rd generation Tsunesaburo in Super Blue Paper steel. Since it arrived from Japan almost two months ago, the wooden body has had more than enough time to acclimate. Now I finally had a moment to sit down, have a look at the kanna in detail and see what is required to bring this secondhand tool back into service. So, before I do anything, let’s take stock of what we are dealing with here…
The dai is very well made in proper Japanese red oak (this is the true hon akagashi!), and generally well fitted, with one unorthodox treatment. There is a series of overlapping relief cuts clearly made with a gouge, in the lower part of the plane bed.
An unusually relieved section like that would have probably provided a quick way to ease an aspect of tightness in fit, or perhaps to eliminate Continue reading